In-Camera VFX uses the image output from realtime engines to a live LED wall in combination with real time camera tracking to produce final pixel imagery, completely in camera. Major benefits of this virtual production technique include all of the natural reflections and lighting from the LED screen that enhances the realism of the Imagery. Using this type of virtual production, complications like green screen spill over on the subject and unnecessary reflections can be eliminated.
When shooting green screen, composite image with virtual background or foreground is presented live using real time camera tracking. This advanced virtual production technique provides the director, director of photography and camera operator a better spatial understanding of the virtual world or CG Characters which will be integrated later on in post. The live composite is helpful for two reasons, first during shooting, it serves as reference to block the shot. Secondly,.
Previs is a process of visualizing a scene before getting to the floors to create it. It is like creating a draft version of a scene where it can be revised multiple times before settling to that masterful shot...
Techvis is the process of involving the real-world equipment into the virtual assets for the purpose of validating decisions taken during Previs like lens choices, camera placement and camera moves in order to avoid the risk of physically implausible virtual choices...
We provide consultancy for the desired companies stepping onto the field of virtual production.
Setting up LED volume stage for virtual production
On-set supervision and camera tracking solutions
Camera, Lenses, Motion control, Lights and Rigs
Advice on budget planning and production timescales.
Post the successful movie ‘’Poovarasan pee pee’’ director Halitha shameem and Cinematographer & producer Manoj paramahamsa join once again for a film ‘’Min-Mini’’ a coming of age-story under the Stage unreal production.
Real-Time production is no longer farther off. For the first time ever, Virtual production training is now in Chennai.
With hands-on infrastructure and advanced real-time filmmaking equipment, the training will be conducted 100% live.
Get trained and certified by authorized Unreal Engine instructors and industry experts to build a promising career in virtual production.
Training by the industry professionals and mentorship from founders.
Learners get the opportunity to work with stage unreal live projects.
Stage Unreal is a Virtual production studio based in Chennai. It was founded by Ace VFX Supervisor Mr. Srinivas Mohan and renowned Indian Cinematographer Mr. Manoj Paramahamsa. With constant hardware, software upgradations and novative applications along with successful experimentations in the fast-evolving field of Virtual Productions, Stage Unreal has grown into a dedicated and passionate team of professionals. The ethos of Stage Unreal is rigorous research and relentless development. Stage Unreal works with film makers, film production houses, media and technology divisions to create new worlds and realms hitherto complicated and out of bounds. If it can be imagined, Stage Unreal will create that pixel.
4 Time National Award Winner (Magic Magic, Sivaji, Enthiran, Bahubali – The Beginning) and a true Pioneer in the field of VFX in India with over 25 years of experience. Currently India’s top VFX supervisor and at the same time a terrific mentor who has authored and designed Animation and VFX courses for M.G.R government film and television institute.
Starting with a State Award for “Best Cinematography” for his debut film (Eeram), has been the architect behind multiple blockbusters across languages in South Indian film industry. Most sought after Cinematographer in India, for always being ahead of the curve in terms of the cutting-edge tools and technology he has introduced through his work for close to 15 years now. Manoj Paramahamsa and Srinivas Mohan have been the bedrock and have contributed their vast experience and expertise in the research and development of Stage Unreal.
Has an experience of 3 years as DI Colorist and has graded Films Such as “Sillu Karupatti” and webseries “Auto Shankar”. Pursuing Virtual production under the guidance of Manoj Paramhamsa and Srinivas Mohan for the past 3 years.
After Eight plus years in the Cinematography field , he has become quite helpful to achieve cinematic aesthetics in a 3d environment which serves as the core of virtual production.
Worked as a DI conformist for 5 years then moved to virtual production and working mainly in the field of Tracking and Motion capture.
He has 3 plus years of experience in Gaming, found his passion in cinema and made his way to virtual production.
He has been working here as a 3D Modeling Artist in Blender and learning Unreal Engine with so much enthusiasm.